I’m home. I’m tired. I’ve a LOT of Polaroids to scan and i’m counting down the minutes till I see Wobble. There’s lots to share, but first some sleep. And shots of that wonderfully unique tribe: the New Yorkers…
Day twenty-three
Auntie Susie finally dusted off the big camera on Friday. It’s almost impossible to be sad with these two clowns around. For the August break.
ps. doesn’t the carpet look nice? Thank you Mr landlord!
pps. I’m sharing some thoughts about kindness and online friendships over on Kind over Matter today – thank you for inviting me, Jenn & Amanda!
How to take a photograph
Our Polaroid book will be more pictures than words while my Unravelling book will be more words than pictures, but either way, I have a lot of Polaroids to shoot and scan this year. It’s not a great hardship, as I take my camera with me wherever I go, but here’s a secret: sometimes this compulsion to take photographs, to capture what I see as I walk around the world, drives me insane; I know it drives my friends and family insane when I ask them, for the millionth time to stop the car/wait for me while I take a photo. Again. And again. And again. I feel anxious if i’ve seen an image and want to catch it, like a crazed lepidopterist chasing rare butterflies. This is why, given the choice, I prefer to visit a new place on my own*.
I thought a city like Marrakesh, with all its detail and colour and bohemian splendour, would make my head explode but, interestingly, I took it all in my stride, knowing it’s impossible to miss a shot when everything you see is a shot. I had a mental checklist of the Polaroids I wanted to get – spices, doorways, faded walls and the ubiquitous tea sets – and I scored all of them and so much more.
Shooting for the books is no different from shooting for myself – i’m not letting myself be too precious about it, as I know that’s the fastest way to manifest a creative block. But I know I’m shooting with half an eye on the final usage, so I’m looking forward to playing with my iPhone in August and just snapping for the pleasure of it.
The August break has no rules, so you can shoot whatever, whenever and however you like, but I thought I’d share my best photography tip in case you wanted to use the month for some creative muscle flexing. My best tip is this: As you look through the viewfinder, or compose in the LCD screen, look for colours, shapes and diagonals. Actually, if you only look for one compositional element, look for the diagonals as they will immediately give your shot a sense of movement and interest.
Okay, here’s a bonus tip: don’t worry about composition too much in August! Be free with your camera and use it to dive deeper into the moment you’re in. If you want to give your month some discipline, how about shooting your daily shot around the same time each day? See what a month of mornings looks like…
* I also prefer to shop on my own and go to the cinema on my own. Both heavenly.
Oh, happy day!
Well, I've been waiting for this day for some time now: the magic-makers at the Impossible Project announced today that we will be able to BUY NEW INTEGRAL FILM on Thursday. THIS Thursday. In other words, they have done it! But it's not that Polaroid has been 'saved' – rather, a new film has been made that will work in our beloved Polaroid cameras. New film, new images, a new era for analogue photography. I'm thrilled beyond belief and can't wait to try the film!
First we get black & white PX 100 and PX 600 film, which will work in SX-70 and 600 cameras respectively. Then later this year they'll be launching a new colour film… be still my heart!
For more info, and to see the rest of the promo clip above, head over to the site. Plus a comprehensive article on the launch from the BJP here. Two of our heroes: Florian Kaps & Andre Bosman © The Impossible Project