~ Thoughts on Unravelling ~

Window2
Looking back through my diaries I see that the first time i wrote about putting some kind of photography course together was June 2008. Abby and I had spent the day in Bath, walking around as i tried to decide if this was a place I could see myself living. As we drove back to Bristol, we talked about what i could do when i got here – at the time my sister was working for an adult education centre and she uttered those fateful words as we hurtled down the motorway: 'Why don't you create a course for us?'

I don't know if i ever fully conveyed on this blog just how nervous I was about my first time leading a group of students – I was can't-eat-can't-sleep nervous. I feared I would sit with these women and not know what to say, so i prepared and prepared and tried to put together a lesson plan that i hoped they would enjoy; Abby helped me plan the first session in 15-minute chunks so every minute was accounted for! And something amazing happened – fifteen minutes into our very first session, i completely relaxed. I could feel the nervous knot in my stomach loosen as i explained what we'd be doing in each class. By the end of our first two hours together I was smiling.

My little evening class in Bristol had taken about two months to fill up – I left postcards in coffee shops and made posters for the local library. Most of the participants had read about the course in the college prospectus; they took a chance on this curiously-titled photography class that wasn't really a photography class. Unbeknown to them they took a chance on a first-time tutor. Fast forward to last Monday, and my autumn Unravelling class sold out in just 83 minutes. People, it was insane! Clearly a lot has happened in a year.

Annaunravelled09web[A glimpse into Anna's unravelling, shared with her permission]

Recently I've been getting emails from people on the mailing list who are frustrated that the courses always seem to be sold out by the time they click over to the registration page – going forward into the new year I want to find a way to organise staggered enrollments that's mindful of all time zones. What excites me the most about the course is that moving it to an online venue has not only made it so much more dynamic and rich but it also means people get to know each other from all over the world; i know Unravellers have been getting together in person and there are lots of emails and phone calls flying around the ether.

In a recent comment Anu asked me: what have you learned from your Unravelling
classes? What has it excavated for you that surprised you?
It's interesting that even though the class is based on stuff i've tried over the last few years i still find i have bits of me that can be stretched some more. I share personal thoughts with the Unravellers, and one of
the most surprising discoveries is that I now feel more comfortable making videos; I feel i can be more myself and embrace how i look; there's no clever lighting or fancy cameras, just me and my webcam.

What has also become apparent is just how incredibly passionate i am about doing this work. I have never felt this passionate and committed to any other work i've done since i left school. I always struggled to fit into the regular world of working – I struggled with a salaried job, i struggled being freelance.  I was a student for many years; i've
worked in cafes and shops. I once worked in an oil
refinery
canteen serving greasy breakfasts to hungry men at 7am. I tried my hand at portrait photography; I've done
tele-marketing and PR; I've made sandwiches for the minimum hourly wage. When my love died I was unable to work for the first year
and felt adrift in my
life and without purpose; I didn't know that his death had set me on a path that would eventually lead me here.

When I launched the first class in January I had no idea that it was going to turn into a business – for some reason business has always seemed like a dirty word. It's as if i assumed that meaningful-work would be accompanied by harps playing in my zen office space as i shared my work for free and didn't need to worry about silly things like paying the rent. The reality is that i am working harder than i have ever done in my life and I'm learning how work can be an important exchange of energy for both the giver and the receiver. I'm learning about how to promote the work you do (i did my first ever podcast interview here – BIG learning curve for me), how to create a working model that is sustainable, while keeping my focus on creating courses that are enjoyable and multi-layered, and making sure I am as available as i can be for every participant who reaches out to me. I'm constantly asking myself what would i want from this course? What would my own expectations be? It's a constant challenge that i'm enjoying trying to figure out.

With every testimonial or email of thanks i get, there is a 15-year-old girl inside of me whose eyes sparkle as she thinks 'wow, i made that happen. That is so cool.' The girl who never thought she had any talent. The girl who, when asked what she wanted to be when she grew up, quietly said: an artist.

To go on a blog-book tour across North America, Europe and down under is one of my wishes i shared in yesterday's post – i'd love to publish my Unravelling book, with stories and assignments, case studies and exercises to do at home. I'd love to be able to do that book tour, not even necessarily to lead workshops, but to create a space where we can get together for coffee and poetry, chats and sharing. Take the online network into the real world. To build a tribe of Unravellers*.

Heady dreams, perhaps, but the 15-year old girl is enthusiastically nodding her head: 'That would be so cool.'

* This is a big wish i'm sharing. I actually feel a little nervous putting it out there, so it must really be a heart wish!

Wish I may

Pompoms

 

Star light star bright
The first star I see tonight,
Wish I may, wish I might
Have the wish I wish tonight.

It’s 09-09-09. It’s a day for wishing… I wish for a healthy niece or nephew. I wish for love to find me. I wish for continued growth in my wee business. I wish for a healthy body. I wish for a never-ending supply of Polaroid film. I wish for a wedding day filled with laughter. I wish for a book publishing deal. I wish for a  book-blog tour across Northern America, Europe and down under. I wish for continued unravelling and magic. I wish for connections and friendships. I wish for an easily attained driver’s license. I wish for a year living in California. I wish for a return to London. I wish for a ride in a hot-air balloon. I wish for a holiday by the sea. I wish for the perfect black shirt. I wish for a PA. I wish for hot summers. I wish for another rose cupcake from the Hummingbird Bakery on Portobello Road. I wish for a world filled with friendly people. I wish to go to Paris and have a perfume made for me. I wish for a dragon tattoo across my back for my 40th birthday. I wish for a Polaroid safari in Morocco. I wish for sciatica-free living.

I wish to find my man.

What do you wish for? Make a list today – I think there’s magic in the air.

~ My Creative Life: Abigail Percy ~

A-percy

It is a pleasure to welcome my next Creative Life interviewee today as I have long admired Abigail Percy's work as a designer jeweller. Working from her studio in Glasgow she creates the most dazzlingly intricate pieces inspired by natural forms and the world around her. Her latest adventure involves textile design created with her other half, fellow jeweller Ryan (Mister) Bell – their newly launched  blog, Abigail*Ryan, will be chronicling their journey into business together. Abigail's own exquisite work can be found in her online shop and Etsy store.

Friends, please welcome the lovely Ms Percy…

SC: Could you tell us about your path into this career? Why jewellery?

AP: My path into jewellery has been fairly straight-forward. I have known I wanted to go to art school, to be an artist or designer, my whole life, and was raised in a very creative and supportive environment so there were no barriers to fulfilling my dreams and them feeling achievable. I left high school a little early so I could prepare a solid portfolio for applying to Glasgow School of Art, and chose jewellery and silversmithing out of all the design disciplines because I felt it would be the most solid 'career' move within the arts (‘people will always want jewellery’, I told myself!)  I was very torn, however, as I really love fashion and textiles (and adore ceramics), but, after four years of study I graduated and went straight into running my business at the age of 21. Four and a half years later, I am still going…

Please describe a typical day – do you have many routines?

My days vary enormously. However, I do have a few routines set in place… The first thing I do when I wake up is check my emails. Like the very sad person I am, I sleep with my laptop in the same room, so I can wake up and take a quick peek and then decide if I can turn over for a little more sleep before starting the day!

As soon as I am up I make breakfast, and then sit down to answer emails – check my bloglines and have a little browse online. I don't like to start work very early ideally (11am at the earliest) so I will talk to my mister for a while and make some plans for the day and browse online for some inspiration.

After this slow and lazy start it's usually several solid hours in the workshop, working at the bench in a rush to make it to the post office for 5pm! I really enjoy the power-walk down to my local post office and the slow stroll home. I might need to continue working when I get home so head straight back, or go to the shops en route back home for some nice groceries for dinner and call it a night at that and just get stuck in to some personal time… perhaps a bit of blogging, or just hanging out with a DVD or relaxing with Mister Bell if we are together.

Ap2

I read on your blog that you rarely wear jewellery (not even your own?) – why is this?

{*Laughing*} people are always shocked when I reveal this, perhaps I should keep quiet on this one? Honestly though, I work from home, so most of the time it's just a mixture of practicality and laziness. I don't get very dressed up on a day-to-day basis. Things are quite pared down, and the workshop can be a dirty place, so the little the better – and, from a safety point of view, I don't like working with rings or necklaces on, for example. And even when I am 'out' I look at jewellery so much I am sometimes all jewelleried out. I like to put importance on each piece I wear, so would only wear one item at a time anyway. However if I am getting dressed up, or attending a work event, I will of course wear my own work!

I also have two little necklaces that are my favourite fall-backs; I love them so much I rarely wear anything else actually – simple gold chains hung with coral apple and  jade leaf charms, a bezel set opal and a opaque pink sapphire in 18ct gold that my grandparents sourced parts of when they lived in Iran, and some when my parents visited Tenerife on holiday before I was born. They have real sentimental value for me, so I think that is important when wearing jewellery too.

When starting a new piece, how do you begin to gather your ideas?

Photography, always photography! I love to get outside with my camera and photograph leaves, foliage, flowers, or collect little bits and pieces and bring them home to press. I find it really important and inspiring to start with original imagery and then draw, trace and design from there… it's my favourite part of the whole process, actually. Stumbling across and waiting to find the perfect motif is the thing that keeps me turned on to designing the most.

Ap6

What’s your favourite material to work with and why?

Jewellery-wise, sheet sterling silver (1mm thick) – it's good to saw, and I use an incredibly fine blade so I can almost draw into the metal and get a hand-drawn voice into the piece as much as I can (even though most people assume I laser-cut everything!)

For drawing and designing, my favourite tools are a 0.1 black fiber tip pen and a Moleskine sketchbook. I love my Canon EOS 300D too, so I think my eye and viewfinder are truly my most favourite materials at my disposal!

Could you tell us more about your collaboration with Mister Bell?

My boyfriend Ryan Bell (of DesireLines) and I decided some time ago that we wanted to collaborate together. Over time this has evolved into starting a new business together – one that combines our shared love of textiles and pattern design. Taking drawings and illustrations, my love for styling, photography and marketing, and Mister Bell's brilliant graphic design skills and sewing talents and eye for colour combinations, we decided a home-wares label was the perfect place for us to direct our new brand.

And so Abigail*Ryan is born!

We are working incredibly hard right now to finish our first collection of pattern designs (which will be applied to all sorts of goodies from cushions to table-dressings) and screen printed tea-towels. We also have many other items, perfect for gifting, in the pipeline but think some of those may launch after Christmas, but we will debut the main items of home-ware before then! It is so exciting for us to see the drawings finally take shape as repea
t patterns, and as this has long been a dream of mine, I am especially over the top right now!

I am very lucky to be able to work with Ryan on this project. We are currently separated by this Irish sea, me residing in Glasgow (Scotland), him in Belfast (Northern Ireland), so we do lots of city-hopping, working on the new home-wares business in Belfast mainly where Ryan has his textiles studio, and both working in my jewellery studio when in Glasgow. With three businesses between us there is a lot to do, but being able to work alongside my love* is a real privilege – we always have a good time, and there is a lot of laughter and fun which helps temper any stressful times perfectly!

* he is laughing and calling me a soppy wench right now ;)

Ap5

What books/music/artists/blogs etc do you love? Could you share some recommendations?

Music-wise at the moment I am loving: Camera Obscura, Bat for Lashes, Florence and the Machine and I have not grown tired of Adele's album, 19, which I have been listening to again and again for over a year and a half now.

Blogs I am finding especially enjoyable right now are: 3191, Nordljus, Post Secret, Le Love and Book by It's Cover.

A favourite artist of mine is Valerie Hammond, and I love the paintings by Elizabeth Schuppe – I would adore to own a piece by her one day.

Book-wise, I can't think of any novels to recommend right now, but I am about to embark on reading a beautiful leather bound collection of Jane Austen works, so I am looking forward to those. I also recently bought Sophie Dahl's new cookery book, which I loved, and Bill Granger's Feed Me Now! is fantastic too.

Which of your pieces are your favourites?

I recently made a brooch based on a beautiful Japanese threadleaf maple leaf I found last Christmas in California and pressed – it was a real challenge to pierce, and because it was so fine as a structure, it was a tough soldering job as all the thin areas could have easily melted. I was really pleased with the finished piece.

All the patterns we are working for for Abigail*Ryan are ranking pretty highly in my favourites stakes – I have wanted to branch into pattern design for a very long time, so am enjoying this, and working with Ryan, hugely.

Ap3

Being self-employed can often mean you’re working 24/7 – how do you maintain a good work/life balance?

I'm not sure that I do! I've always said that I think one of the problems with being a creative person is that as soon as your eyes are open, that's it, you're working!

There are certainly parts of my year when I work far too much, like Christmas, for example. But this does balance out with quieter times. But when the work is there, sometimes there is not much balance to be found and you just have to get on with it.

I think family, friends and the mister are all good things to have in my life; they make sure you stop, even when you don't seem to have time to, and focus on the simpler things in life – cooking, eating, travelling, wee days out, cups of tea, good films – which, incidentally, are the best things too!

How has being online helped your business?

Being online had hugely helped my business. The exposure and domino effect of being involved in the blogging community has helped with the exposure of my work – and it's been a truly fantastic way for me to meet designers in my field and make great friends to boot!

The point at which I started selling almost exclusively direct, and online, was the turning point for my business becoming financially viable – so I am extremely glad I made the leap and did something a little out of the ordinary for the time, and for my field in the UK.

Ap4

Where do you see yourself in five years time – personally and/or professionally?

Ooh, this is a hard one! Hopefully, I will still be working in the creative field and for myself – and I would love for Abigail*Ryan to be doing very well and in some major stores around the world.

Personally, I would like to be in the position to finally own my own home (I would love to renovate a property, for example) and be a little more solvent! I hope to still be happy and in love, and healthy too.

You're having a dinner party and can invite six famous people from the past or present – who would you choose and why?

I'm actually a little bit shy, so the idea of a dinner party with complete strangers is a little bit terrifying! However, I think the following would be lovely to spend some time with and would make easy company… Mister Bell helped me compile my list as I got a little stuck, so these would be the six people we would enjoy cooking some nice food for…

Kirstie Allsopp – Mister Bell and I loved her recent TV series, Kirstie's Homemade Home – she is so passionate about handmade goods from the UK and wears the loveliest dresses ever!

Nigella Lawson – I think she would make very witty conversation, and if nothing else would be a treat to look at!

Robert Winston – I think he would be a hugely entertaining guest, and a very interesting person to meet.

Rolf Harris – I love him with all my heart – pure and simple.

Felicity Kendal – circa The Good Life.

Ben Fogle – he's brilli
ant.

…and we think this would make the most bizarre, UK-centric dinner party ever! But in truth, these are just the people we want to be.

* * * * *

Thank you so much for giving us a peek into your world today, Abigail. Please set a place for me at the table, I'll be gate-crashing your dinner party!

~ An open mind ~

Battersea

Oh London, how you tempt me with your beauty and decay, your ancient wiles and modern possibility. I hadn't expected to have such a great weekend. I mean, I knew my days with Sas would be full of laughter and connection, but i didn't expect to fall back in love with the city. And when i say back in love I mean rapturously, madly, insanely back in love with old London town. Maybe it was because Sas and I drove across the city on adventures like Thelma and Louise. Maybe it was the sunshine and high energy around the Notting Hill Carnival preparation. I got to see so many of the places I love – Battersea Power Station, the Natural History Museum, Portobello Road, the Barbican, Greenwich Market. I discovered that Chiswick is a place I can see myself living, with my little car (more on that soon) and my portable business. Doing the work i do I can live anywhere, and this weekend I felt my brain expand as i soaked in all the possibilities, stuff i hadn't considered for a very long time. I'm not saying i'm leaving Bath… but now i know i could, and that realisation is going to make the next 12 months a lot more interesting. You only live once, right?

UPDATE: My mum just emailed me, after reading this post, and shared this: 'Just to let you know that your grandad (my dad) assisted in the construction of one of the chimneys on Battersea Power Station – I know it is not called that now, but just a little snippet from the past.' – how freakin' cool is that?!

Portobello1

Blue_cupcakes500

Barbican1

Portobello_alice

Paddington500